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Case Based Critical Thinking
Mark’s design team has taken on
a number of projects that involve display text and gradients. Mark considers typography to be a fine
art, and he thinks that gradients are often a very effective component of good Illustrator design, so
he is excited to take this opportunity to put his team through typography and gradient boot
camp.
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1.
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One of Mark’s designers is having difficulty with tracking and kerning -
specifically, when to use tracking and when to use kerning. Mark asks four other designers to provide
an analogy for tracking and kerning. He is pleased with all four analogies, but he says that the best
of the four analogies is that tracking is to kerning as ________.
a. | group is to individual | c. | brushing is to flossing | b. | hugging is to
pinching | d. | book ends are to
books |
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2.
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The specification for all body copy in a series of ten related fliers - all
designed in Illustrator - calls for 11pt type with 12.5pts leading and -10 tracking. One
of the designers flows body copy text into the main text box on flier number five, formats it, then
realizes that one paragraph is overflowing the text box. He tells Mark how he solved the problem, and
Mark tells him that, of all the choices he had for fitting the text, he chose the worst option in
terms of the overall design of the total project of ten fliers. The designer’s bad choice was
to ________.
a. | reduce the point size of the body copy | c. | increase the tracking
| b. | reduce the overall leading |
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3.
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Mark knows that his designers aren’t programmers, but he feels it’s
important that a designer has some amount of understanding of how a program works. He asks his team
that, working in Illustrator, if they wanted to create a linear gradient but couldn’t use any
of the gradient tools, they could create the gradient with which of the following
________.
a. | filled rectangles | c. | both a and b | b. | stroked lines |
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4.
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Mark considers gradients to be an important design component for many types of
Illustrator artwork. He tells his team that gradients can be ________.
a. | used to fill multiple objects simultaneously | c. | made of multiple
colors | b. | radial or linear | d. | all of the above |
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5.
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One project that the team is working on involves display type that will appear
very large on a billboard. Mark tells the team that, of all the ways to modify text in Illustrator,
____________ is the most essential for perfecting large display type.
a. | kerning | c. | horizontal/vertical scaling | b. | baseline
shift | d. | tracking |
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6.
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When text on a path is "flipped," it does what?
a. | It runs in the opposite direction on the opposite side of the
path. | b. | It is copied over an imaginary vertical or horizontal axis. | c. | It is rotated 360
degrees. | d. | It runs in the same direction on the opposite side of the
path. |
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7.
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Locked objects can be selected, but they can't be moved or modified.
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8.
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Once text is flowed onto a path, only its typeface and type size can be
modified.
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9.
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Positive tracking or kerning values move text characters closer together.
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10.
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You can turn any object into a guide by clicking which command?
a. | Make Guides | b. | Release Guides | c. | Convert to
Outlines | d. | Show Guides |
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11.
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The command to show the Character panel is on the ____________________
menu.
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12.
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When text is flowed into an object, which alignment often is the best
solution?
a. | center | b. | left | c. | right | d. | justified |
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13.
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Hiding objects is one way of making it easier to select objects on the
artboard.
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14.
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By default, guides in Illustrator are blue; you cannot change their
color.
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15.
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When you click a type tool cursor on text, then apply the Select All command,
____.
a. | all the text objects on the page are selected | b. | all the text in the
single text object is selected | c. | all of the objects on the artboard are
selected | d. | the text and the object that contains the text are both
selected |
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16.
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You can modify the tracking between letter pairs.
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17.
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Which of the following is the best comparison to a radial gradient?
a. | a series of concentric circles | b. | a circle | c. | a chain of
interlocked circles | d. | a small circle within a big
circle |
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18.
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You can change the stacking order by moving objects forward and backward through
the stack, one object at a time.
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19.
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Guides preferences are listed under which category?
a. | Guides & Increments | b. | Guides & Grid | c. | Units &
Guides | d. | View Guides |
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20.
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When you click the Gradient tool, the gradient control bar appears in the object
itself.
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21.
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To move text along a path, you use the start and end bracket, and midpoint
bracket.
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22.
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The Hide Selection command and the Show All command are both on the
____________________ menu.
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23.
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Text preferences are listed under what category?
a. | Type | b. | Guides & Grid | c. | Units &
Undo | d. | Type & Grid |
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24.
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When locked objects are unlocked, they are all selected.
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25.
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The midpoint is identified on the gradient slider by a triangle.
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26.
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Once a word has been tracked, you can no longer apply kerning.
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27.
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You can define the angle of a radial gradient in the Gradient panel.
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28.
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Text in Illustrator can never be positioned upside down.
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29.
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When you click the Show All command, all the hidden objects are selected when
they are revealed.
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30.
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In a radial gradient, the starting color appears where?
a. | at the center of the gradient | b. | halfway between the center and the edge of the
gradient | c. | it depends on how the Gradient tool is applied | d. | at the outside edge
of the gradient |
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31.
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Text is flipped across a path by doing what?
a. | Double-clicking the Reflect tool | b. | Dragging the starting bracket
down | c. | Double-clicking the Rotate tool | d. | Dragging the center bracket straight
up |
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32.
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The location of a midpoint in a gradient can be changed.
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33.
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The midpoint, by definition, must be positioned evenly between the starting and
ending colors of a gradient.
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34.
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The Stroke panel is where you move sliders to mix new colors for fills, strokes,
and gradients.
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35.
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In typography, the term for the vertical space between baselines in a block of
text is called what?
a. | tracking | b. | kerning | c. | baseline
shift | d. | leading |
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36.
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Text flowed on a curved line will often require kerning, especially when it is
set at a large point size.
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37.
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You can quickly change font, type size, kerning and other text attributes
where?
a. | the Type menu | b. | the Paragraph panel | c. | the Character
panel | d. | the Type panel |
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38.
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When text is flowed on a path, which feature of the Character panel allows you
to increase or decrease the distance of the text from the path?
a. | the Offset Path command | b. | vertical scale | c. | baseline
shift | d. | none of the above |
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39.
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The Unlock All command is under which menu on the menu bar?
a. | Edit | b. | Select | c. | Window | d. | Object |
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40.
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Even after text is converted to outlines, you can still change the
typeface.
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41.
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When you copy text on a path, ____.
a. | you copy both the text and the path | b. | you copy the path only; the text must be
reentered | c. | you copy the text only | d. | none of the
above |
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42.
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In the above figure, a 50% vertical scale has been applied to the text. This
means that the text was shorter before the scale was applied.
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43.
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Text generated by the Type tool is positioned on a path called what?
a. | text path | b. | type index | c. | stroke
line | d. | baseline |
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44.
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A linear gradient can be positioned from left to right, top to bottom, or on any
angle.
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45.
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An imported Swatches panel is editable.
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46.
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When you float your cursor near the endpoint of the gradient control bar, the
____ icon appears.
a. | scale | b. | copy | c. | rotate | d. | flip |
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47.
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The point at which two colors in a gradient meet is called what?
a. | the starting color | b. | the ending color | c. | the
midpoint | d. | the color stop |
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48.
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The order in which objects on the artboard overlap - from front to back - is
called what?
a. | blending mode | b. | the stacking order | c. | the layers
hierarchy | d. | layers |
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49.
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A blend is a graduated transition between two or more colors used to fill an
object or multiple objects.
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50.
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Once text is flowed into an object, you can no longer manipulate the object as
you would have previously.
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